{"version":"1.0","provider_name":"Opera Zuid","provider_url":"https:\/\/operazuid.nl\/en\/","author_name":"Fanny Bartels","author_url":"https:\/\/operazuid.nl\/en\/author\/fanny\/","title":"Profound humanity and theatrical drama go hand in hand in Bluebeard\u2019s Castle - Opera Zuid","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"KZ8KuQaoMl\"><a href=\"https:\/\/operazuid.nl\/en\/interview-kenza-koutchoukali-yannick-verweij-blauwbaards-burcht-en\/\">Profound humanity and theatrical drama go hand in hand in Bluebeard\u2019s Castle<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/operazuid.nl\/en\/interview-kenza-koutchoukali-yannick-verweij-blauwbaards-burcht-en\/embed\/#?secret=KZ8KuQaoMl\" width=\"600\" height=\"338\" title=\"&#8220;Profound humanity and theatrical drama go hand in hand in Bluebeard\u2019s Castle&#8221; &#8212; Opera Zuid\" data-secret=\"KZ8KuQaoMl\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/operazuid.nl\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/operazuid.nl\/wp-content\/uploads\/2024\/10\/Kenza-Koutchoukali-Yannick-Verweij.jpg","thumbnail_width":1024,"thumbnail_height":683,"description":"Director Kenza Koutchoukali and scenographer, costume, and lighting designer Yannick Verweij have been working together on B\u00e9la Bart\u00f3k\u2019s Bluebeard\u2019s Castle for months. Yet, they\u2019re far from running out of things to say about the opera. They sit down to interview each other, discussing their inspirations, ambitions, and the humanity within the work."}