{"id":13857,"date":"2023-11-03T14:03:02","date_gmt":"2023-11-03T13:03:02","guid":{"rendered":"https:\/\/operazuid.nl\/?p=13857"},"modified":"2023-11-06T16:31:34","modified_gmt":"2023-11-06T15:31:34","slug":"opera-stars-sir-thomas-allen-and-christopher-gillett-talk-about-their-experiences-in-the-opera-world","status":"publish","type":"post","link":"https:\/\/operazuid.nl\/en\/opera-stars-sir-thomas-allen-and-christopher-gillett-talk-about-their-experiences-in-the-opera-world\/","title":{"rendered":"Opera stars Sir Thomas Allen and Christopher Gillett talk about their experiences in the opera world"},"content":{"rendered":"\n

They regularly meet on the world’s major stages. Now the two singers are working together at Opera Zuid, where Christopher Gillett is directing a new version of Der Schauspieldirektor<\/em> and the baritone of the twentieth century, Sir Thomas Allen, is performing as the Schauspieldirektor.<\/p>\n\n\n\n

Why did you want to create a new version of Der Schauspieldirektor?<\/em><\/p>\n\n\n\n

Christopher:<\/strong> “I have been working in opera all my adult life and have written a number of books about what it is like in this world. It feels like a luxury now to be allowed to create a show about the process and difficulties of creating an opera. I would like to show that behind the scenes it is all not so glamorous; we are not superhumans, we also just curse when something goes wrong and we are sometimes quite lonely in this travelling existence.”<\/p>\n\n\n\n

Thomas:<\/strong> “Indeed, people like to make opera singers into some kind of icons, but of course we are not that at all. Although by now I wouldn’t know who I am without this life and without all those roles. I wouldn’t have wanted it any other way, even though every day you feel the responsibility and pressure to sing well and therefore your voice must always be in good condition.”<\/p>\n\n\n\n

Christopher:<\/strong>“I like the fact that in this production I don’t have to depend on my voice. Moreover, I like the fact that I can now decide all by myself how I want the performance to be, unlike when, as a singer, I have to stick to the director’s idea.”<\/p>\n\n\n\n

Thomas<\/strong>: “Oh yes, I enjoy the fact that as an actor I now get to decide how I use my voice [intonation and volume] to pronounce the text and tell the story, instead of the music dictating it.”<\/p>\n\n\n\n

Christopher:<\/strong>“In opera, the music defines what we do. That’s very different from a play. That’s why I find it so exciting to combine both of those in one performance now; both opera arias and spoken stage texts.”<\/p>\n\n\n\n

Did you – when creating this show – also have to deal with the difficulties that arise in Der Schauspieldirektor?<\/em><\/p>\n\n\n\n

Christopher: <\/strong>“Yes, the performance is based on real-life perils like that. For instance, a singer sometimes drops out. Then the directing assistant <\/span>has to<\/span> read out the text and meanwhile show the substitute singer where to walk, so that he or she only has to sing the aria. <\/span><\/p>\n\n\n\n

“However, I didn’t want too many set changes and technical gadgets, so that saves a lot of trouble. I like to let the theatre speak, for there is enormous dramatic power in the music and singing itself. I think it’s a shame when technology (for example, running film footage in the background) takes the focus away from what is essential in opera.”<\/p>\n\n\n\n

Thomas recalls: <\/strong>\u201cBack in the days, the most important thing was that the singer stood in the right place, sang his aria and everyone else stood still. More than once I experienced a soloist turning around and admonishing: ‘I don’t want to see anyone move while I’m singing my aria!’ Sometimes that was a bit excessive, but of course opera is all about the vocal art and it should not be overshadowed, but complemented.”<\/p>\n\n\n\n

In Der Schauspieldirektor, it showes that having a career in theatre has consequences for one’s private life. How was and is that for you?<\/em><\/p>\n\n\n\n

Christopher:<\/strong> “You are often away from home, which is not easy when you have a family. My first marriage broke down because we were together so little. Since then, I manage to balance personal and professional better. I now often travel with my wife, who is also a singer, and vice versa.”<\/p>\n\n\n\n

Thomas<\/strong>: “Unfortunately, you don’t learn that in school. They should actually teach [counts on his fingers: one] taxes and [two] how to handle life when you have this profession. I am very grateful to my wife who has now travelled with me for thirty-five years. She did have to get used to that; [laughter] she had to become a kind of reverse Margaret Thatcher, a Duke of Edinburgh, standing behind this Queen. It helped me enormously that she gave me that space.”<\/p>\n\n\n\n

Thomas thinks for a moment and then continues<\/strong>: “But it is a world in itself, this opera. You regularly meet people in different productions and work intensively with them for a while; it automatically becomes a kind of opera family. If you ever feel gloomy – alone, far from home – that family helps you recover.<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

Interview: Kyra Bertram<\/p>\n","protected":false},"excerpt":{"rendered":"

They regularly meet on the world’s major stages. Now the two singers are working together at Opera Zuid, where Christopher Gillett is directing a new version of Der Schauspieldirektor and the baritone of the twentieth century, Sir Thomas Allen, is performing as the Schauspieldirektor. Why did you want to create a new version of Der […]<\/p>\n","protected":false},"author":3,"featured_media":13855,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"ghostkit_customizer_options":"","ghostkit_custom_css":"","ghostkit_custom_js_head":"","ghostkit_custom_js_foot":"","ghostkit_typography":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[37],"tags":[],"class_list":["post-13857","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"acf":[],"yoast_head":"\nOpera stars Sir Thomas Allen and Christopher Gillett talk about their experiences in the opera world - Opera Zuid<\/title>\n<meta name=\"description\" content=\"They regularly meet on the world's major stages. 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