{"id":16433,"date":"2025-04-22T12:23:05","date_gmt":"2025-04-22T10:23:05","guid":{"rendered":"https:\/\/operazuid.nl\/?p=16433"},"modified":"2025-05-02T13:52:25","modified_gmt":"2025-05-02T11:52:25","slug":"anna-unveiled","status":"publish","type":"post","link":"https:\/\/operazuid.nl\/en\/anna-unveiled\/","title":{"rendered":"Anna unveiled"},"content":{"rendered":"\n<p><strong>With\u00a0<em>Silenzio<\/em>, composer Karmit Fadael offers the audience a glimpse into the inner world of Anna &#8211; the main character from\u00a0<em>Le Villi<\/em>. Soprano S\u00edlvia Sequeira gives her a voice. How does a new work like this come into being, how do you convey it to the audience, and to what extent is that a collaboration between composer and singer? After a long day of rehearsals, the two women sit down on the terrace and talk.<\/strong><\/p>\n\n<p><em>Karmit, what inspired you most when composing\u00a0Silenzio?<\/em><br\/><strong>Karmit:<\/strong>\u00a0\u2018The story <em>of<\/em><em>\u00a0Le Villi<\/em>\u00a0was my starting point. I was curious how I could give the character of Anna more depth. In\u00a0<em>Le Villi<\/em>, things just happen to her, I wanted to show the audience what I imagine is going on inside her head. I started with the text, together with Rick van Veldhuizen. Then I began improvising on the piano, the violin, and with my voice. That\u2019s how I gradually developed the sounds that represent Anna\u2019s inner world. They\u2019re often thoughts turned into melodies: magical, dreamy, anxious &#8211; very emotional, in any case.\u2019<\/p>\n\n<p><em>How would you describe your style in\u00a0Silenzio?<\/em><br\/><strong>Karmit:<\/strong>\u00a0\u2018My style is &#8211; unlike Puccini\u2019s Romantic one &#8211; more baroque-contemporary. In this work, I was especially guided by the idea of a character who has lost herself, so her emotional state isn\u2019t calm, but fragmented and intense.\u2019<\/p>\n\n<p><em>What is that like for you to sing, S\u00edlvia?<\/em><br\/><strong>S\u00edlvia:<\/strong>\u00a0\u2018Karmit\u2019s music, with all its different colours and emotions, I sing with a narrower voice. My sound has to come from a single line, whereas with Puccini, I just open my mouth and body and let the sound resonate everywhere. In\u00a0<em>Silenzio<\/em>, I use a vocal technique that\u2019s more typical of the Baroque period, and in\u00a0<em>Le Villi<\/em>, my lush Romantic voice takes over. I sing\u00a0<em>Silenzio<\/em>\u00a0more with the head, to convey Anna\u2019s thoughts. I have less freedom in that, and I need to be more precise. Whereas Puccini\u2019s music is pure emotion, straight from the heart: if I feel it, I can stretch lines or notes more freely.\u2019<br\/><br\/>\u00a0<\/p>\n\n<p><em>Karmit, did you already have S\u00edlvia in mind while writing\u00a0Silenzio?<\/em><br\/><strong>Karmit:<\/strong> \u2018Absolutely. I listened to countless recordings of S\u00edlvia and spoke with her.\u2019<br\/><strong>S\u00edlvia:<\/strong> \u2018It was wonderful that Karmit asked about my vocal range, what\u2019s most comfortable for my voice, what my strengths are. It really feels like a collaboration.\u2019<br\/><strong>Karmit:<\/strong>\u00a0\u2018I think it\u2019s really important to explore together what works best.\u2019<br\/><strong>S\u00edlvia:<\/strong>\u00a0\u2018It was fantastic that Karmit immediately adjusted something when I said it wasn\u2019t working so well for my voice. I\u2019m really happy with this score. And it\u2019s such a joy to be able to ask a living composer directly how they want something to sound. That makes it much easier to build and unravel Anna\u2019s character.\u2019<br\/><strong>Karmit:<\/strong>\u00a0\u2018As a composer, all you do is put notes on paper. Then it almost feels like the piece is being recomposed through the performer\u2019s interpretation. I really love working together with the singer or instrumentalist(s), and writing it in a way that feels good for them. It\u2019s always beautiful to see what they do with the work.\u2019<\/p>\n\n<p><em>Does singing\u00a0Silenzio\u00a0influence how you interpret\u00a0Le Villi?<\/em><br\/><strong>S\u00edlvia:<\/strong>\u00a0\u2018Definitely. Because we perform\u00a0<em>Silenzio<\/em>\u00a0first, I have to approach\u00a0<em>Le Villi<\/em>\u00a0a bit differently than I would if we were just doing\u00a0<em>Le Villi<\/em>\u00a0on its own. I want to make sure the two pieces connect well and feel like a cohesive whole.\u2019<\/p>\n\n<p><em>You\u2019ve sung many of Puccini\u2019s operas &#8211; what\u2019s it like to perform his very first opera?<\/em><em>&#13;\n<\/em><strong>S\u00edlvia:<\/strong>\u00a0\u2018Puccini is one of my favourite composers! And\u00a0<em>Le Villi<\/em>\u00a0is beautiful. You just notice in small ways that he was still a bit inexperienced, especially in writing for singers. He experiments and learns, just like anyone at the beginning. And because of that, I finally get to see him as a human being, not just a genius. That doesn\u2019t take away from the beauty of this piece &#8211; I absolutely love singing Puccini. And\u00a0<em>Silenzio<\/em>\u00a0too!\u2019<br\/><br\/>\u00a0<\/p>\n\n<p>Interview: Kyra Bertram<\/p>\n","protected":false},"excerpt":{"rendered":"<p>With Silenzio, composer Karmit Fadael offers the audience a glimpse into the inner world of Anna &#8211; the main character from Le Villi. Soprano S\u00edlvia Sequeira gives her a voice. How does a new work like this come into being, how do you convey it to the audience, and to what extent is that a collaboration between composer and singer? After a long day of rehearsals, the two women sit down on the terrace and talk.<\/p>\n","protected":false},"author":3,"featured_media":16430,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"ghostkit_customizer_options":"","ghostkit_custom_css":"","ghostkit_custom_js_head":"","ghostkit_custom_js_foot":"","ghostkit_typography":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[37],"tags":[],"class_list":["post-16433","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Anna unveiled Opera Zuid<\/title>\n<meta name=\"description\" content=\"Interview: With Silenzio, composer Karmit Fadael offers the audience a glimpse into the inner world of Anna - the main character from Le Villi. 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