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Using pre-premiere drama to create an opera, Wolfgang Amadeus Mozart did it! In the brilliant comedy Der Schauspieldirektor, the composer ridicules the opera world. Everything comes up, from rival singers, big egos and hectic rehearsals to arguments on stage.
Mozart was able to draw abundantly from his own experiences for Der Schauspieldirektor, as did director, author and opera singer Christopher Gillett. He wrote the new play text and directs Der Schauspieldirektor at Opera Zuid, with a wealth of hilarious experiences in mind. All-rounder Gillett thus gives a look behind the stage curtains and follows Mozart in his loving satire about the opera company.
Together with conductor Enrico Delamboye and a top cast, he brings out the sparkling lightness of this funny and inventive score. Because of course Mozart’s fantastic music is central! This comedy with music shows his genius on both the dramatic and psychological level with theatrical style.
Der Schauspieldirektor is performed in German and Italian, with spoken texts in Dutch and English, and with Dutch and English surtitles.
IN CONVERSATION WITH DIRECTOR CHRISTOPHER GILLETT
As an opera singer, you naturally know the opera world very well. Can we expect personal stories and anecdotes?
‘I certainly use my own experiences, but it is mainly a performance about making and performing a performance. I see it as an opportunity to talk about how absurd opera can sometimes be and how that absurdity can spill over, making the genre fantastically transcendent and transcendent.’
Absurd and transcendent?
‘Yes, actually I have a love-hate relationship with opera. Of course it is madness to want to earn a living as an opera singer. Artist life is often frustrating and lonely. Opera singers and other theater makers are very normal people, but as soon as they are on stage, they transform into something exceptional. Sometimes what we’re doing is simply ludicrous, while other times the mere physical act of singing itself is great theatre. Opera bounces back and forth between ridiculous and sublime. In this piece I want to poke fun at the ridiculous.”
No pompous opera, but fun and entertainment?
Yes! Mozart himself called it a comedy with music. The visitors of Der Schauspieldirektor simply get a nice evening. That’s how Mozart wrote it, as entertainment.’
So this comedy with music is not just for opera lovers?
‘Absolutely not. Of course, avid operagoers will understand some of the jokes better, but newcomers will also enjoy this. At least I hope! In any case, you don’t need to have any prior knowledge.’
The text of Der Schauspieldirektor is nowadays often adapted because it is no longer up to date. How does that work in your version?
‘I completely rewrote the play text, except for the opening line. And because the original opera only contains five – albeit wonderful – pieces of music, we have incorporated even more beautiful music by Mozart that fits well with the content of the piece. So it has become a kind of goodie bag full of Mozart’s masterful music!’
Do you want to reveal what Der Schauspieldirektor will look like?
‘I don’t want to give too much away just yet. The curtain rises in front of a beautiful, seventeenth-century decor from a nineteenth-century perspective. What happens next…I’ll keep that a secret for now, because that’s part of the fun.’
